“Tina Gorina performs in these performances the equally complex role of Donna Anna. And she does it without difficulty, with, with high notes well projected, and and with the right expressiveness in passages such as the entrance initial of the character, the magnificentrecitative Don Ottavio, I am dead! and in the two arias”

“The Empordà native Tina Gorina chiseled a delicate Butterfly. Both in appearance and in interpretation, she distanced us from the cliché of the innocent teenage geisha. Hers was, rather, a Cio-Cio-San of character, with a dramatic relief worked into the devoted lover, the faithful wife and, finally, the sacrificed mother. She skillfully modulated a warm instrument, always at the service of a refined line.”

“Tina Gorina (Donna Anna) showed herself musically elegant and with beautifulnuances, , especially in the aria “Non mi dir”, with a coloratura very well-controlled.”