“Tina Gorina (Donna Anna) showed herself musically elegant and with beautifulnuances, , especially in the aria “Non mi dir”, with a coloratura very well-controlled.”

“Tina Gorina’s Micaëla immaculate vocally , ideally suited for roles such assuch (and others that we would like to hearher perform),) showed offers a masterclass from in vocal art in all the credentials of the character: the virginal goodness on stage and the legato, the line,the intelligibility of the text,the half- voices,, precisely spun notes, chiaroscuro, withand a timbral preciousness of several carats in the musical aspect.”

“However the voice that truly triumphed in the Girona performance was that of the soprano from Guíxols Tina Gorina, with , her crystalline sonorities and a meticulous sense of phrasing, full of enchanting nuanced dynamics, aspects which ultimately formed an expressive interpretation that captivated the audience, who erupted into the mostgreatest ovation of the night after her aria from Act III.”